From The English Patient: the burnt-up hero (Ralph Fiennes) reading Herodotus, the Canadian who has been tortured (William Dafoe)
For a course at the Oscher LifeLong Learning Institute at George Mason University
Day: Eight Wednesday later morning into afternoons, 11:50 to 1:15 pm,
March 29 to May 17
Tallwood, 4210 Roberts Road, Fairfax, Va
Dr Ellen Moody
Description of Course
In this course we will discuss four gems of Booker Prize fiction. Some have said the prize functions as a brilliantly exploited marketplace tool aimed at a specific readership niche, just perfect for high quality film adaptations and literary criticism. The selected books are characteristically historical fiction, self-reflexive, witty and passionate, post-colonialist, — plus all have been made into films. Before the class begins, please read Penelope Fitzgerald’s The Bookshop;then in class we’ll read J. L. Carr’s A Month in the Country, Michael Ondaatje’s The English Patient, and Graham Swift’s Last Orders
Required Texts (in the order we’ll read them):
Fitzgerald, Penelope. The Bookshop. 1970: rpt. 1997: Boston: Hougton Mifflin. ISBN 0395869463. Or latest edition: Introd. David Nicholls, Mariner, 2015 iSBN: 978-0544484092
Carr, J. L. A Month in the Country. Introd. Michael Holroyd. 1980; rpt. New York Review of Books, 2000. ISBN 0940322471
Ondaatje, Michael. The English Patient. New York: Vintage, 1992.
Swift, Graham. Last Orders. New York: Vintage, 1996.
From Patrick O’Connor and Simon Gray’s A Month in the Country: the protagoniss (Kenneth Branagh and Colin Firth), and stationmaster preacher (Jim Carter)
Format: The class will be a mix of informal lecture and group discussion.
March 29th: 1st week: The politics of selling good books: history of the Booker Prize; we begin with Penelope Fitzgerald
April 5th: 2nd week: Penelope Fitzgerald’s Bookshop; we begin J. L. Carr and A Month in the Country: historical fiction
April 12th: 3rd week: A Month in the Country; clips from the film and discussion
April 19th: 4th week: Michael Ondaatje’s The English Patient: the post-colonial background
April 26th: 5th week: Michael Ondaatje’s The English Patient; clips from the film and discussion
May 3rd: 6th week: Graham Swift and post-modernity (Waterlands); begin Last Orders
May 10th: 7th week: Last Orders: alternating streams of consciousness; clips from film and discussion
May 17th: 8th week: Return to Booker and other prizes; wide discussion for future courses in such books
From Fred Schepisi’s Last Orders (2004): Jack’s four friends (Ray Winston, David Hemminges, Bob Hoskins, Tim Courtney) on the pier, by the sea, and his wife, Amy (Helen Mirren) getting on the bus
Suggested supplementary reading & films:
Cooper, Pamela. Graham Swift’s Last Orders. NY: Continuum, 2002
English, James. “Winning the Culture Game: Prizes, Awards, and the Rules of Art,” New Literary History, 33:1 (Winter, 2002):109-135.
The English Patient. Dir. And Screenplay. Anthony Mingella. With Ralph Fiennes, Kristin Scott Thomas, Juliet Binoche ….. Miramax,1996
Gray, Simon. Old Flames and A Month in the Country: Two Screenplays. London: Faber and Faber, 1990
Kelly, Saul. The Lost Oasis: The Desert War and the Hunt for Zerzura: The True Story Behind the English Patient. Boulder, Colorado: Westview, 2002.
Last Orders. Dir and Screenplay. Fred Schepisi. With Helen Mirren, Bob Hoskins, Michael Caine … Sony, 2004.
Lee, Hermione. Penelope Fitzgerald: A Life. New York: Vintage, 2014
Minghella, Anthony. The English Patient: The Screenplay. London: Methuen, 1997.
A Month in the Country. Dir. Patrick O’Connor. Screenplay Simon Gray. With Colin Firth, Patrick Malahide, Kenneth Branagh, Natasha Richardson …. Pennies from Heaven, 1987.
Rogers, Byron. The Last Englishman: A Life of J. L. Carr. London: Aurum, 2003.
Sutherland, J. A. Fiction and the Fiction Industry. London: Athlone Press, 1978.
Todd, Richard. Consuming Fictions: The Booker Prize and Fiction in Britain Today. London: Bloomsbury, 1996.
The sea and the desert …