Florence Lacey, Kaleidoscope (A review) Friends and readers, Probably a coincidence which I’m noticing because I’m aging, but aging was and is the topic of the two plays and films I’ve gone to or been watching this week: this past Thursday, Matt Connor and Stephen Gregory Smith’s moving musical (a world premiere at Creative Cauldron, […]
Search Results for 'Gaskell'
Aging: Kaleidoscope, Lear, Cranford Chronicles …. return to Gaskell
Posted in 19th century novels, 20th century culture, Costume drama, feminism, Film adaptations, film studies, literary scholarly work, mini-series, Plays, Trollope, TV, women's novels, women's art, womens' films, tagged Disabilty studies, elizabeth gaskell, shakespeare on May 27, 2017| 2 Comments »
The rich experiences in Elizabeth Gaskell’s North and South
Posted in 19th century novels, feminism, literary scholarly work, political novels/films, romance, women's novels, women's art, women's lives, tagged heroine's text, sexual experience on May 25, 2016| 19 Comments »
Margaret (Daniela Denby- Ashby) first making friends with Nicholas (Brendan Coyle) and Bessy Higgins (Anna Maxwell Martin) (Sandy Welch’s 2004 North and South, Part 2) yet men set me down in their fool’s books as a wise man, an independent character, strong-minded and all that cant — Mr Bell, North and South Dear friends and […]
Victorian into Edwardian: Fictions of Affliction; Dickens & James; Gaskell & Suffragettes
Posted in 19th century novels, Costume drama, disability issues, Edwardian drama, feminism, Film adaptations, film studies, historical fiction, literary scholarly work, Movies, novels of sensibility, women's lives, tagged 19th century art, Dickens, heroine's text on November 16, 2015| 5 Comments »
Catherine Dickens (Joanna Scanlon) obeying Dickens and bringing to Ellen Ternan her jewelry (Invisible Woman, script Abi Morgan, directed, produced Ralph Fiennes) Again, from The Invisible Woman (adapted from Claire Tomalin’s book on Ellen Ternan) — we see (among others, Ellen Ternan (Felicity Jones), her mother (Kristin Scott Thomas), her sister Dear friends and readers, […]
Not Quite a Year of Reading Gaskell: My Lady Ludlow & Sylvia’s Lovers
Posted in 18th century, 19th century novels, general, historical fiction, novels of sensibility, political novels/films, romance, women's novels, women's art, womens' films, tagged elizabeth gaskell, Lady Ludlow, smuggling on March 5, 2011| 7 Comments »
An illustration for Gaskell’s Ruth Dear Friends and readers, I’m sad to have to report we seem to have come to an end of our not quite a year of reading Elizabeth Gaskell on my two listserv communities. What had enabled us to keep on came to an end: three volumes of short stories (Cousin […]
Elizabeth Gaskell festival still going on!
Posted in 19th century novels, gothic, historical fiction, novels of sensibility, women's novels, women's art, tagged Grey Woman, John Middleton on January 7, 2011| 11 Comments »
Camille Pissarro, Morning Light on Snow Dear friends and readers, Several months ago now (!), back in September I wrote a blog about how on WWTTA we had begun a reading and discussion of a group of Gaskell’s short stories and novellas that are online as well as in print in three separate collections (Cousin […]
Elizabeth Gaskell festival: 3 short stories (comment on Elizabeth Spencer’s “Light in the Piazza”)
Posted in 19th century novels, feminism, Film adaptations, women's novels, women's art, tagged elizabeth gaskell on September 23, 2010| 17 Comments »
Elizabeth Gaskell (1865 watercolor) Elizabeth Spencer (1921-) Dear friends and readers, My listserv community (mailing list) WWTTA has embarked on a four month “Elizabeth Gaskell festival.” A group of us propose to read two short stories by Gaskell each week alternating occasionally with a novella over two to three weeks, at the end of which […]
Jane Mander’s The Story of a New Zealand River
Posted in 19th century novels, 20th century culture, feminism, historical fiction, novels of sensibility, post-colonialism, romance, women's novels, women's art, women's lives, womens' films, tagged heroine's text, post-colonialism on August 19, 2021| 5 Comments »
Ada (Tara Fitzgerald, the Alice Roland of film story) and Flora (Anna Paquin, the Asia of the film story) — from Jane Campion’s 1993 The Piano, a very free appropriation of Mander’s 1920 novel) Dear friends and readers, I do not remember what year it was when I first came across Jane Mander’s traditional novel […]