The whole cast, gathered Agatha-Christie, locked into the green room while eerie versions of themselves get on with the play ….
Dear friends and readers,
Upfront and plain. let’s all who live in DC and come to the Folger library say aloud together, “It’s been a remarkable year at the Folger!” They began with a marvelous rendition of Davenant’s Macbeth, went onto a dramatic and thoughtfully presented political parable (and understandable) King John; moved to a buoyant, intelligent Nell Gwyn, then about a month ago an entertaining Love’s Labor’s Lost (so essentially two very difficult to produce Shakespeare plays), not to omit brilliant HD screenings, last summer about this time, another film appropriation, a fantasy modernization of Midsummer’s Night Dream by Casey Wilder Mott (scroll down), available at Amazon Prime:
Last July too a movie by Ian McKellen (“acting, writing, living from the heart”) about his career, worth-it-to-get-to concerts, especially the one at Cherry Blossom time .
And now this: Ghost Light, dark comic appropriation of Macbeth as an unnerving but oddly kindly-natured ghost story. The two directors and scriptwriters thanked the Folger representative on stage for having them.
A dual story: a group of actors come to the Berkshires to perform Macbeth, and their disregard of “the curse” (several use the name Macbeth outside the play) brings down on them the wrath of the ghosts in the play — real witches and real ghosts begin to emerge, the first as woman come to be hired help, a girl hitchhikers, the second as unnerving visions coming out of the real lives of the actors, who are presented as sort of 2nd or 3rd rate, or at the end of not so great a career, the beginning of another.
It’s in the cross currents of magic and anguish that the power of the film lies, plus (like so many of these parodies of Shakespeare) a subset of actors play the play in the last half hour and it is done very well too, directed by John Stimpson who also wrote the script with Geoffrey Taylor. Thomas Riley Macbeth, Shannon Sossamon, Macbeth and his lady, but also a actor desperate about his career, and an alcoholic older actress married to a once matinee idol (no longer).
Macbeth and his Lady
There’s an ambivalent gay couple, an incessantly kissing couple — there are many nervous jokes about sex — a despairing director and cavalier producer
Of interest: like Roma and other movies much admired, even getting awards, e.g., A Very English Scandal, and last year’s HD Screening by Casey Wilder Motte, the fantasy adaptation of MDN (see above), Ghost Light is opening as a streaming experience from Amazon Prime and other venues on-line. I asked them about this and the two directors were frank about how much it costs to have a movie run, and how rare the movie makes such a hit as to reap profits. A more delicate intelligent taste usually doesn’t help wide distribution; Ladybird was a rare case where the gradual opening did that. And here it is:
via a tiny URL:
It has gone round the country in venues like the Folger, and has been apparently much liked. The audience I was in at the Folger was delighted, and asked intelligent questions, pointed out parallels in other ghost-like occurrences in Shakespeare. These two reviews, perhaps bit snobbish as the reviews were for Nell Gwynn, are less enthusiastic: Movie Nation; the City Paper is brief
One of the real life actress witches; she is replaced by another being something far more “awesomeness” in her looks, lit up uncannily.
Very contemporary exhibits in the great hall too — and I know research and the equivalent of post-graduate courses for scholars if you want to do the work and can produce the exacting credentials.
Ellen
NB: I took the Metro to get there as 7 pm is an awkward time for me. Many shuttle buses are there for the ride back and forth from National Airport or Crystal City to King Street, but the ride is in traffic and takes longer. I got home after midnight. I had enjoyed myself, even had a friend to talk to coming back — another widow like myself. But the next day I was so tired I found myself ever so slightly nodding off as I drove. Can’t have that so this may be the last time I venture forth at night where I need to take the Metro until it’s fixed.
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