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Recent Posts
- Outlander, the second season, a differently framed Dragonfly in Amber
- Paul Scott’s Staying On, a coda to his Raj Quartet
- Lucky — because alone, seeing what death is clearly, he has the courage to remain alive
- 3 Poldark 8 & 9: like a song; previously individual dramatized scenes ….
- Autumn Syllabus: The Booker Prize Market Place Niche
- Scottish Highlands Tour from Aigas House: the West Coast; Priories, Museums, & Castles; Celtic folk music & women’s poetry (3)
- Scottish Highlands Tour from Aigas House: historical, archaeological, Caledonian Forest; town & country or women’s work (2)
- Scottish Highlands Tour from Aigas House: the framework (1)
- 3 Poldark 6 & 7: Coerced & reluctant relationships; Agatha’s death, Ross’s refusal, Demelza charmed
- Dunkirk, the movie
- New Poldark 3:4-5: a deeper emotionalism; a loss of verbal subtleties; late stage capitalism replaces exciting adventure
- Winston Graham’s non-Poldark fiction: from film noir to opera
- Poldark 3:3-4: the difficulty of returning to material 20 years dormant ….
- Poldark 3:1 & 2: again changing emphases, bringing out sense of community
- Andrzej Wajda’s Afterimage — how to take away someone’s existence
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