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Archive for the ‘Henry James’ Category

Toibin’s Ireland Dear friends and readers, It’s about time I wrote in praise of Colm Toibin, of his biographical and critical essays, of his novels, his biographical fiction, his travel books. I can’t think of any writer as originally thoughtful, perceptive, humane, quietly iconoclastic, informative, absorbing, who reads authors as interesting or simply writes as [...]

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“Hill House” — a genuine house just outside London, chosen as embodying just what Jackson imagined, and then photographed as where all the outdoor scenes around it using infrared light (1963 The Haunting) John Atkinson Grimsaw (1836-93), The Haunted House (1882) Dear Readers, Students, Friends, Tonight one of the great American gothic novels and psychological [...]

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The governess realizes Miles is dead becomes frantic with grief (Turn of the Screw by Sandy Welch, 2009) Dear friends and readers, I feel I’ve had a full Henry James double season. First this summer, Roderick Hudson, then the biography of James by Fred Kaplan, and now as part of the course “exploring the gothic” [...]

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Henry James, a photo (1897) This is not the effete young man, or the tired weary old guarded bland one, but an imposing solid guy, distinctive, intense, modern looking too without being (as he is in another) crumpled. Look at the powerful thigh, the stub of a cigar and flat cap. Dear friends and readers, [...]

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Pool, Villa D’Este, Tivoli, from Edith Wharton’s Italian Villas and Gardens Dear friends and readers, Over the month of August on Trollope19thCStudies a very few of us read Henry James’s Roderick Hudson, if not James’s first novel, his earliest in print and still read. I had not read it since I was in my early [...]

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Isabel Archer (Nicole Kidman) Dear friends and readers, I carried on with my study and comparison of films based on 18th and films based on 19th century matter, and earlier this week watched Jane Campion’s brilliant effective film adaptation of Henry James’s novel, The Portrait of a Lady, screenplay Laura Jones, produced by Steve Golin [...]

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